Denis Gougeon is born in Granby (Quebec) in 1951, just a few steps away from the famous zoo. His childhood is marked by animals, merry-go-rounds and visitors from all over the world. Holidays are spent working in the amusement park, on biking escapades to the aerodrome or on train rides, thanks to his father being the station master. As a youth, music is not a major part of his life: Denis Gougeon’s dreams focus on travel.
When he turns 15, a revelation occurs: he borrows a recently acquired guitar from his siblings, never to return it. After a year of persistent self-instruction he gives his first classical guitar recital. He will continue learning on his own until he turns 20, when he decides to make the “big leap”: leaving his home town to study at Montréal’s École de musique Vincent-d’Indy.
Denis Gougeon is now involved with diplomas and encounters. He completes his DEC and Bachelor’s degree in guitar and musicology at Vincent-d’Indy, where Sister Jacques-René introduces him to composition. Just a few months after his arrival, his path crosses with young soprano Marie-Danielle Parent. This is the start of a long love story and fertile music exchange. Side by side, they set up a small group, playing all types of genres in all types of venues. At the same time, the young guitarist decides to take private classes in music analysis with composer André Prévost, with whom he will continue his composition studies at the Université de Montréal, eventually attaining a second Bachelor’s degree.
At the same institution, he commences a Master’s degree in composition with composer Serge Garant, a former art director of the Société de musique contemporaine du Québec (SMCQ). Besides helping him perfect his music writing, Garant sensitizes him to the importance of becoming concretely involved in the cultural milieu; advice that he will follow throughout his career.
In 1980, his studies completed, Denis Gougeon accompanies Marie-Danielle Parent, now his wife, to New York, where she perfects her talent. There he composes Voix intimes, for his wife and her sister Yolande Parent. This work is noted for its entirely personal meaning. Recipient of first prize (Concours de la SOCAN), this opens the door to his professional career.
Upon returning to Montréal, encouraged by friends such as composers Claude Vivierand John Rea, Denis continues to compose, gains commissions and wins prizes. Among others he joins Lorraine Vaillancourt for Événements du Neuf and Walter Boudreau for certain SMCQ events before becoming, in 1989, the first composer-in-residence with the OSM. In 1992, having barely completed his residency, he meets Théâtre UBU director Denis Marleau, for whom he will compose music for eleven projects. He will also write for Orchestre symphonique de Québec, SMCQ, NEM,I Musici… Soon, collaborations with the dance milieu (Jean Grand-Maître and the Bayerisches Staatsballett of Munich) and shows for young audiences (SMCQ Jeunesse, Arsenal à musique) will be added to Gougeon’s impressive road map, and for quite some time he will be regarded as the only Quebec composer who can earn a living relying solely on composition.
Today, with more than 100 works in his catalog and crowned with ever more prestigious prizes (in 2010 winning the first prize, grand finale in an international composition competition in Shanghai), Denis Gougeon is considered one of the most highly regarded composers, in addition to since 2001, being a devoted professor of composition at the Université de Montréal. But in spite of his accrued success, the small-town Granby boy is never very far away: a passion for life, aviation enthusiast, always ready to embark on an adventure, Gougeon continually strives to offer music that bears a message, that touches … and that allows its listeners ”to take-off“. Ready? Fasten your seat belts!
Works in Paramirabo's repertoire
Suite privée (1988)